Kolumba
Kolumbastraße 4
D-50667 Köln
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Mid February to September 1997
About the Site: St. Kolumba
Reencounter with the Unknown – Part 9

Parallel to the current architecture competition for the new building of the Diözesanmuseum upon the ruins of the St. Kolumba Church in Cologne, we are organising a six-month programme of exhibitions, lectures, talks and concerts designed to make us experience the site and introduce and explore it at the same time. As always, in this 9th part of our exhibition series “Reencounter with the Unknown” a major work of the collection forms the central focus: the “Mother and Child” from around 1650 by the sculptor Jeremias Geisselbrunn. In the northern side aisle of the Late Gothic St. Kolumba Church, the baroque portrayal of the Madonna once posed an outstanding highlight. In 1677 Jakob de Groote, known for his various donations to churches in Cologne, gave the piece to Kolumba. After having survived the endeavours of rigorous over-cleansing in the 19th century, to which a lot of Colognes churches had fallen victim, it finally seemed lost when the entire church was destroyed on 28 January 1945. The piece owes its reconstruction to the diligent restoration of the seventy fragments of the alabaster sculpture which had burst in the flames. The “Reencounter” dedicates itself this time to this major work of Cologne Baroque sculpture. Its liveliness triggered by its energy finds a counterbalance in our presentation of the quiet work of artist Kurt Benning from Munich. For his “Luminated Box” with the seemingly presumptuous and loaded title of a “Historical Picture” called “The War in Middle Europe, mid XX. Century” Benning uses a photo of the place his father worked in, taken by his father in Belgrade in 1943. The artist as an eyewitness of history using the reference of such pictures is also a topic of the video installation by Klaus vom Bruch “… in the Window” of the museum.
geisselbrunn_detail_b.jpg

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2015 Museum for Drawing
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2013 Eucharist
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2012 Leiko Ikemura
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2011 Philipp Wewerka
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2010 Heinrich Küpper
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2007 Infinite Space Expands

2006 In the Garden of Reality II
2006 Werner Schriefers
2006 In the Garden of Reality I
2005 The Egner Donation
2005 Leiko Ikemura
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2005 Hans Josephsohn
2005 Coptic Textiles
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2004 Max Cole
2003 Reliquary Crosses
2004 Heinrich Küpper
2003 Martin Frommelt
2003 150 Years!
2002 Attila Kovács
2002 Herbert Falken
2002 Peter Tollens
2001 ars vivendi
2001 Peter Zumthor
2000 Volume
2000 walkmen
2000 The Härle Donation
2000 Children's drawings
2000 About Reality
1999 Andor Weininger
1999 Joseph Marioni
1999 Andy Warhol
1998 Kunsthalle Baden-Baden
1998 Faith and Knowledge
1998 Stephan Baumkötter
1998 Bernd Ikemann
1998 Kabakov Pane a.o.
1998 Hildegard Domizlaff
1997 Cage Tsangaris a.o.
1997 Richard Serra
1997 Manos Tsangaris
1997 Kunst-Station
1997 Klaus vom Bruch
1997 About the Site: Kolumba
1996 About Ambivalence
1996 Chris Newman
1996 Peter Tollens
1996 Wolfgang Laib
1996 About Colour
1995 Early Christian Art
1995 Mischa Kuball
1995 Palace of Art
1995 Horn Falken Michals, a.o.
1995 Monika Bartholomé
1993 Tápies Thek Tuttle u.a.
1992 Vaticana
 
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KOLUMBA :: Exhibitions :: 1997 About the Site: Kolumba

Mid February to September 1997
About the Site: St. Kolumba
Reencounter with the Unknown – Part 9

Parallel to the current architecture competition for the new building of the Diözesanmuseum upon the ruins of the St. Kolumba Church in Cologne, we are organising a six-month programme of exhibitions, lectures, talks and concerts designed to make us experience the site and introduce and explore it at the same time. As always, in this 9th part of our exhibition series “Reencounter with the Unknown” a major work of the collection forms the central focus: the “Mother and Child” from around 1650 by the sculptor Jeremias Geisselbrunn. In the northern side aisle of the Late Gothic St. Kolumba Church, the baroque portrayal of the Madonna once posed an outstanding highlight. In 1677 Jakob de Groote, known for his various donations to churches in Cologne, gave the piece to Kolumba. After having survived the endeavours of rigorous over-cleansing in the 19th century, to which a lot of Colognes churches had fallen victim, it finally seemed lost when the entire church was destroyed on 28 January 1945. The piece owes its reconstruction to the diligent restoration of the seventy fragments of the alabaster sculpture which had burst in the flames. The “Reencounter” dedicates itself this time to this major work of Cologne Baroque sculpture. Its liveliness triggered by its energy finds a counterbalance in our presentation of the quiet work of artist Kurt Benning from Munich. For his “Luminated Box” with the seemingly presumptuous and loaded title of a “Historical Picture” called “The War in Middle Europe, mid XX. Century” Benning uses a photo of the place his father worked in, taken by his father in Belgrade in 1943. The artist as an eyewitness of history using the reference of such pictures is also a topic of the video installation by Klaus vom Bruch “… in the Window” of the museum.